Monday, December 29, 2008
hue part 3
last night we had dinner in an ancient house, hosted by a grandson of one of the senior advisors to the last emperor. he gave us a bit of a tour- think intricate woodwork stained black, and ornate carvings everywhere, even in the ceiling beams! he demonstrated the ceremonial weapons (huge halberds and my favorite, a spear with a carving of a fist on the end), and showed us how his grandfather smoked opium. (hint: with his head on the lap of his most beautiful concubine, puffing from a beautiful hand-carved elephant tusk.)
we're taking advantage of the extra time and leaving in a few minutes to go check out a tomb.
no more diaper pants, hanoi will be our last city and totally cycling-free. i'm fine with that. it's been great, but my butt is sore and i'm really sick of being soggy! i don't know if i'll ever get the mildew smell out of my suitcase.
it's really been fantastic so far. this country is filled with warm, gracious, sensitive, subtle people.
hue part 2
we rode along six-foot wide roads through paddies, jungles, and towns today. on this road, the villages feel like wild west towns- all the buildings alongside each other facing 'main street,' and instead of horses, ... hondas. the motorbike is definitely the pack mule here, and the flip flop is the cowboy boot.
i cut my ride a few kilometers early when my pal tony (he's a music lawyer) capsized in a fairly large pool of mud and sliced his hands open on the gravel. we've actually had quite a few spills on this trip- biking is a dangerous business!
lunch today was on a riverboat which was pretty fun- it was bright red with giant dragons adorning the front. as i dipped my shrimp rolls in the dish of fish sauce on the white tablecloth and surveyed the jungly riverbanks, i realized i was puttering down the river under wildly different circumstances than my countrymen who visited here all those 30 or 40 years ago.
the vietnamese, for their part, have no problem discussing that ancient history, but it's certainly not their first association when they see americans. they've had more wars in the past hundred years than i can count, and our conflict here is just one chapter.
time to head out into the rain again for more cocktails and food.
Sunday, December 28, 2008
Hue
Saturday, December 27, 2008
how white is your rice (hoi an)
yesterday was long long long, between the boat, the van, the plane, and 30 km of cycling in the rain. that was all before lunch! i also wandered the neverending market, toured a chinese temple to the water goddess, visited a house that has been in the same family for EIGHT generations, and got measured and picked out fabric for my new three piece suit.
last night we ate at mango mango, a popular restaurant on the river, with overly-flavorful food and overly-strong drinks.
this morning we had an incredible vietnamese cooking class. we made (and ate) incredible summer rolls, winter rolls, scallion pancakes, jicama-banana leaf salad, and the most delectable spiced chicken i've had in a very long time. we learned that bean sprouts are good for virility, and that, even though the vietnamese have come to admit brown rice is better for you, they still judge a meal's value by how white the rice is.
afterwards i stopped in a barbershop and had the most comprehensive face and head shave ever. he even shaved and cleaned my ears!
most of the group is out riding for the afternoon- i'm taking it off, to do more shopping, have a fitting for my suit, pick up laundry, and generally take a breather.
as much fun as i'm having, i'm definitely homesick!
Thursday, December 25, 2008
pitch black morning
Wednesday, December 24, 2008
christmas day on ninh van bay
i'm sitting in the 'library' at the six senses hideaway on the coast. the library is a deck made of weathered wood, with a high thatched roof, and the no walls. i'm looking out on the bay, surf is crashing in and there are several vietnamese fishing boats crawling in the water.
six senses is on a small island- we arrived by boat. there is a short beach (in front of every cabana, just beyond the personal plunge pool) and the island quickly inclines in a glorious cluster of trees and rocks. to make the view even better, this portion of the beach (the kilometer or so that the resort covers) is concave, so to both sides you can see the cliffs and trees rising up and reaching out over the water.
it's rained just about non-stop since we arrived yesterday afternoon, which i beautiful in its own right, but we are definitely mourning for the beauty we know we'd experience in this green place if the sun were out. the puddly gravel walkways and wooden deck pathways are littered with large snails and slugs. the high winds rattle the wood and canvas of our cabana, make the thick nautical rope whine pleasantly, and render our rain ponchos ineffective!
last night we had dinner in the restaurant, at one long table. the room is a much larger version of this library, with a tremendously high thatched roof, and wet, powerful wind threatened our napkins and gave the whole affair sort of an urgent feel. as we dined on course after course, troupes of young, heavily made-up and thoroughly sequinned vietnamese girls performed a series of dances in unison, divided in the middle by a 'fashion show.'
yesterday's ride was incredible. another rainy day, i abandoned my rain coat early (it was very hot) and succumbed to the wet. when it wasn't raining, our bikes still plowed through mist and steam and ground-level clouds, and ripped up puddles of thick mud. i had a solid racing stripe of brown dirt when i was done, from the back of my head to my bum, thanks to the kickback of my rear tire.
here was the vietnam that i had imagined. we perimetered miles of rice paddies, in various states of harvest. during the first part of the ride, the shoots were so green they were fluorescent. just like the pictures, workers in conical hats patiently picked their way through the ten-inch water. other paddies were muddy and devastated, post-harvest, and workers slogged around with hoes, churning the mud.
we cut through lots of villages, where we were often received with giggly 'hello!'s, mostly from kids. i'd always return the hello full-voiced and with a big sloppy grin, and kids and adults alike would descend into peals of laughter. we're a heck of a parade, with our neon clothes and big fancy bikes and western faces.
the houses in these villages vary greatly in style and value. many are narrow concrete construction with colorful fronts and bare gray sides, as if they were supposed to be nestled in a crowded city block- but they stand alone in a field! many houses are combination residence/ convenience store, and all seem to have a front room with no front wall. most have large outdoor living areas, cantinas of a sort, with simple sheet metal roofs to keep the rain off. the small, brightly-colored plastic kiddy chairs (such as mom and i have purchased from the grocery store for my niece anahita) are ubiquitous- they are EVERYWHERE. almost as common as motorbikes! in fact, the preferred sitting and hanging out apparatus around here seems to be kiddy chairs and motorbikes- only beat out by the tireless squatting on the haunches that the vietnamese do so well. the floor is never too far away, and even the elderly pop up and down with alacrity.
as we turned one corner, an open-front house was blasting "feliz navidad.' it was still ringing in my ears as we broke from the jungle and penetrated yet another rice paddy, this one ringed with a low green mountain swathed in impossibly-low-hanging clouds.
it's christmas and i am on an island, off the coast of vietnam. it's achingly beautiful, and wonderful to be with my sweetheart, but, as the surf crashes and the rain pours down around me, it's also throbbingly far from family and home.
Tuesday, December 23, 2008
da lat pt. 3
Monday, December 22, 2008
da lat pt. 2
da lat
Sunday, December 21, 2008
ho chi minh city
Saturday, December 20, 2008
hong kong
lounge
Friday, December 19, 2008
it's starting...
Tuesday, December 16, 2008
Putin to be the new Apatow
Posted: Mon., Dec. 15, 2008, 9:53am PT
Putin takes charge of local film industry
Politician to chair Russian cinema council
Russian Prime Minister Vladimir Putin is taking personal charge of progress in the development of the country's film industry as chairman of the government council on the progress of domestic cinematography, unveiled Monday.
Putin will "personally supervise" government initiatives to support the film industry, according to the Russian federal press service.
The new body -- which emerged following a meeting of film industry chiefs chaired by Putin at St. Petersburg's Russian World Studios in early October -- will coordinate the work of government bodies, film industry professionals and companies.
The council will not allocate funding but will look at ways to improve efficiency of state support for production, distribution and promotion of Russian films domestically and internationally.
Supporting the introduction of "innovative cinema technologies" and measures to maintain a market share for Russian films on domestic release will also be part of the brief, the government press service said.
At October's meeting of cinema chiefs in St. Petersburg -- held to commemorate 100 years of Russian film -- Putin noted the "potential of cinema to be a major educational tool and valuable point of reference for society."
He said including the development of the domestic film industry in a long-term government plan of social and economic development was essential.
Russian reaction to the new council was muted.
One experienced Russian film industryite told Daily Variety, "As usual, nothing good will come of it."
Sunday, December 14, 2008
downs and ups
is there anything so selfish as feeling depressed?
it's pretty fantastic timing that i leave on friday for a ten-day bike tour of vietnam. if i can't get my head on right and stop feeling sorry for myself during an opportunity like that, i'm a lost cause!
talking with my old friend johnnie newman about feeling down, and feeling un-creative recently, he hit me with the response below. i wanted to share it, because he's always been one to put things as he sees them, without regard for it being pretty or pleasing. his poetry is that he actually means the strange things he says. and it really did make me feel a lot better.
"I know what you mean, bigneil -- and what hits me right now as I write this is that I think it's good to be down sometimes and creatively dead. the fires can't be raging always. those moments where you feel you've got nothing to do or say, no forums to immediately express yourself in, no juice left, no mojo, no electricity.... those are the times where you are receiving MOST of the things you'll be expressing later. especially an artist as sensitive and insightful as you. so just ride this out. don't force anything. write a great character for yourself to play. or don't. come out here and we'll improv. you're going to be fine. you're storing experience right now. get hurt. feel uninspired. worry a little. it's okay. just don't have a heart attack. and when you audition for things or go on interviews just be yourself, let the joy and sorrow shine in you, let it all hum together in a calm display of raw humanity. we're all a bit fu@!ed right now. it's great. the world needs story tellers more than ever. show everyone what it means to be a man. you don't even have to try."
Monday, December 08, 2008
promo for monica's show!
http://www.youtube.com/watch?v=VmO3b-kpSf4&feature=channel
Thursday, December 04, 2008
tradizzle video
http://www.youtube.com/watch?v=jOixGILVBuw
Thursday, November 20, 2008
strangers fallout and clips!
Saturday, November 15, 2008
Strangers premieres in Russia
Jenya
Wednesday, November 12, 2008
virus
Monday, November 10, 2008
quality time
Friday, November 07, 2008
a theatre near you
monica's show is officially scheduled
Tuesday, November 04, 2008
Big Neil Newsletter Scoops All Major Networks
french dread
you know that in France we are used to see things from our point of view, or that we take our desires for reality. 8 years ago, we went to bed happy to know that Al Gore was elected. The next morning, surprise, it was Bush. 4 years ago, we slept relieved that Kerry was your new president. Too bad. F... jetlag. Tonight, i'll go to bed dreaming of Mc cain and Palin, to avoid another hangover tomorrow! I 'm sure that you must experience right now an incredible moment, and if i could, i would take a plane tonight to share the crazy night and the crazy days that will (let's hope) follow. Instants of grace. I'm envious :-)
My bet is also that Carla Bruni will probably dump soon Sarkosy and chase Obama. Antoher good news.
I think of you, share your excitment and hopes, and send you all my love,
arthur
suffrage device
what a strange machine awaits you behind that curtain! not a machine.... a contraption.
Monday, November 03, 2008
jungle gem
Sunday, November 02, 2008
great adventure
it was the last day of the season today, and a mite cold, but monica and i were undeterred as we scampered all over the park from one roller coaster to another. the rides were great, but our bodies feel the toll- bracing yourself at 80 mph all day and routinely freezing your face off in high loop-de-loop winds will tax you.
but it was FUN!
Saturday, November 01, 2008
still blogging, after alllll these years...
life is fantastic- monica's home from LA for the weekend. this morning we went to bernardsville, nj and had brunch with cousin laura and pete and their awesome kids (who i want to call second cousins but are actually first cousins once removed but maybe i'll just say cousins) charlie and kate, plus charlie's pal greg. it's beautiful in suburban nj today, with changing leaves and lots of rolling hills and multi-acre homes. the coles represented in the brunch field with a highly-big-neil-worthy spread: pancakes (in many polka-dotted permutations), bacon, cinnamon rolls, quiche, blueberries and OJ. and perfect hostess laura apologized that there wasn't more.
after brunch we went to an apple orchard and wandered a couple miles of tree rows, looking for hidden apples on trees that had been massively plundered already. the fields were beautiful, the air cool and clear, with the intoxicating and rich smell of decaying apples. apples lay in the hundreds at our feet, inedible, with gorgeous untouched halves facing the sun. a kick revealed the horror-movie-worthy other halves, rotting away in the mud. we hit the very corners of the huge orchards, finding treasure troves, untouched branches with grape-like clusters of heavy apples, and our special tools (a cross between a lacrosse stick and a pronged mediæval torture weapon) snagging some large perfect tens at the upper reaches. before we knew it, we were muscling back three large baskets filled with red delicious and winesap apples, more than we can eat any time soon!
back on the upper west side and monica is in the bedroom clearing out her closet for me to ship to her in LA. as she shoots the first season of her show, she'll stay in a sublet, and to our minds, her being in LA is still 'temporary.' but i have a weird and ominous feeling that she may never leave the west coast again. i hope i'm wrong, but there are worse places to be tethered to, and i'd be happy to move out there next year and join her.
tonight we're going to see her best friend laura-leigh in 'boys' life' off-broadway at the second stage theatre in midtown. it's a classic (and sort of sexist) 80s play about getting laid and it stars jason biggs (from the american pie movies).
i'm actually enjoying working regularly these days at niche media, fact-checking for various magazines. it's nice to have money coming in. i'm still auditioning here and there. monday i interview the ceo of the new jersey nets for gotham magazine. that'll be fun, although i know very little about professional basketball, and i'll have to be careful not to expose my ignorance in the article!
Friday, October 31, 2008
monica on entertainment tonight
Thursday, October 30, 2008
Wednesday, April 16, 2008
Saturday, April 05, 2008
strangers in english
i'm contacting them to see if they want me to help fix the rampant typographical errors, although i realize that they may be part of the charm!
Monday, March 24, 2008
biting the bullet
it's been fun researching the job openings available and imagining myself at all these different schools. i've put together a curriculum vitae that i think is very impressive and competitive except for that minor issue of never having taught at a university level before. i have a couple of powerful letters of recommendation from nancy houfek (the head of voice and speech at a.r.t.) and thomas kail (my dear friend and director of in the heights on broadway) and more coming from debbie mcwaters (founder/artistic director of btp), ron piretti (head of acting at BTP, fight director for in the heights, and professor at marymount manhattan college), and ann reinking (nuff said).
i love teaching, and i think i would/will have a ball doing it year-round. i have lost no love for acting (although maybe a little for the acting 'industry') and plan to pursue it, professionally or not, wherever i wind up, for the rest of my life.
the bottom line is: i have a terrific amount of expenses, and no forseeable way to make ends meet in new york as an actor. i am lucky to have an avenue that i love and can pursue which can put me in the position to make a salary. now i have to be lucky enough to be offered a job!
if i don't find a good match, i will remain in new york, attempt to defer my loans further, continue to pursue acting, and apply for teaching jobs as they become available.
it's scary to think about beginning a new arm of my wonky career path, but also fun. we'll see what happens!
Friday, March 14, 2008
in the heights opening
on sunday morning monica and i made our way back to new york (with help from cousin laura!) in order to attend the opening night festivities for 'In the Heights' on broadway.
anybody who's reading this knows what 'in the heights' means to me- i saw lin's hastily created one-act version at wesleyan during my senior year. i got my hands on a copy of the soundtrack from that production. after tommy, anthony, john, and i had created back house productions the following year, johnny and i tried to impress upon anthony and tommy how talented lin is, and made the case that we should definitely try to 'do something' with him once he graduated from wesleyan himself. finally, i put the cd in tommy's hands and encouraged him to listen to it.
6 years later, 'in the heights,' directed by tommy, written by and starring lin, opened on broadway to great fanfare. the intervening time was YEARS of hard work, workshop after workshop, presentation after presentation, auditions, rehearsals, phone calls, cheaply created wine and cheese spreads to make potential investors feel at home, and for tommy and lin, countless, innumerable hours of poring over the script or a keyboard, abject devotion to continuing the show's evolution.
in the early years, i was there as a co-director, tommy and i teaming up to make the workshops productive, to direct actors. but there were too many cooks in the kitchen, and tommy's vision was much more long-sighted than mine- he has a talent for taking the difficult steps (such as cutting songs and plot-lines entire, no matter their popularity) and focusing on the paths that will take a project ultimately to a better place. for the next couple of years i was happy just to act as a minor producer, a supporter really, doing whatever i could to make the workshops happen, to help tommy and lin and bill (our orchestrator) in their process. i listened to new rap lyrics and said 'heck yeah!' or hauled huge bundles of bottled water from staples to the theatre, or threw my shoe (which was our tradition) after a performer nailed a solo. back in those days, we didn't even have a drummer, so i would do my best to tap out latin beats on the baseboard in the corner of the theatre while lin worked out a rap-narration transition. i read stage directions at the readings, and fulfilled what were then minor roles (sonny in the bodega, who is now the funniest part of the show, hands-down, thanks to robin de jesus), and clapped harder than anyone when the presentation was over.
eventually, i backed off entirely, the show was moving forward, and i certainly was not going to be in its way. my role had really morphed into 'fan,' and there was no specific job appropriate for me as i continued my own personal pursuits.
but i didn't feel any less like a proud papa on sunday night, and i don't regret ANYthing about my trajectory with the show. i was there to help it get started, and that makes me as proud as i am about anything in my life. and i sat there in the house and watched as several people i love dearly had their dreams come true. and, the show is incredible.
we got into new york in the early afternoon and i learned that the start time for the show was 6:30! i originally thought i wouldn't be able to make the opening, due to my current run of 'julius caesar.' but we inexplicably had no shows that sunday, and i called tommy about a week and a half out to see if there was still room for me. a seat at a broadway opening is a coveted item, and i was fully prepared to be denied. but they had one earmarked for me, always had, and hadn't released it yet. but they only had one, not another for monica. she was, however, invited to the party afterwards at chelsea piers. well, at about four, a call from tommy confirms the cancellation of a friend of his, and that there's an extra ticket for monica if she wants.
we were delighted, but immediately went into emergency mode. we would need to meet anthony for dinner before the show, and then would be going right to the party after the show, which meant less than an hour to prepare for the evening. no problem for me, but, you don't expect a fabulous and gorgeous woman like monica to go to the latin event of the year on an hour's notice. we were like a well-oiled machine- she did her hair and make-up, we picked up some fake diamonds around the corner, and borrowed some shoes from her mom's place down the street. did i say shoes? i mean hot wine-colored cole haan peep-toe pumps. i learn something every day.
the crowds at the show were insane. i don't know why, but it felt twice as crowded as a typical sold-out show, which i know is impossible. maybe it was the fabulous outfits and all the industry networking that slowed everything down. we had to rendezvous with people at the hotel edison across the street just to find each other. (the hotel ed became an indispensable intermission getaway too- we never would have relieved our bladders if we'd stayed in the theatre!)
the show: nuts. each character got two minutes of applause on their entrance. they just had to stand there, frozen in a moment, and wait for the cheering to subside. the energy was incredible. it was, for many, a broadway debut, and all had loved ones in the audience. showstopper after showstopper and people went hoarse from screaming.
at the end, after more copious applause, and tears, lin invited the production team onstage, designers, choreographer, etc... and tommy. my hands stung from clapping so hard.
afterwards, we missed the free shuttles to chelsea piers, so we took cabs. inside was a twenty-piece latin salsa band, open bars everywhere you look, and smorgasbords of latin foods. there had to be close to 2000 at the party. it was impossible to find anyone, and, after a couple rounds of food and drink, monica and i were about to leave when we finally found the pocket that had tommy and his family, and lin, and a steady stream of admireres demanding hugs and photographs.
lin gave me a huge hug. he grabbed onto my arm and said, "i'm gonna hold on to you for a while, i don't know who half these people are." it was clearly overwhelming. he couldn't get more than two sentences out to anyone before someone new was tapping him on the shoulder. i managed to get a bread pudding in his hands, cause i was worried he wasn't getting a chance to eat anything! i turned my back for a moment, and he had been whisked away again. later i found out that he'd solved his problem of too much hand-shaking-not-enough-fun-having by holding court on the dance floor. if you wanted to congratulate him, you had to do it in time with some serious salsa hot-stepping!
monica and i eventually made our way home, and although it was freezing in new york by the water, i was warmed by two things: 1. the little hot chocolates they were handing out at the exit, and 2. the words i remembered lin saying into my ear as we hugged:
"this is all because of you, you know that, right?"
even though it's not necessarily true (talents like lin and tommy would and will shine, with our without my intervention), it was music to my heart.
Saturday, February 23, 2008
in the heights
8 or so years ago, johnny mailer and i watched a one-act performance of 'in the heights' at wesleyan, written by lin-manuel miranda. he was a KID at the time. a prodigy, yes, but a kid! after we started back house in new york, we invited him to come workshop the show with us, and he accepted. tommy kail, who started the company with me, really identified with the project and dedicated his considerable brain to the effort. what followed were years of readings, presentations, and workshops, 30+ new songs, most gone shortly after they came, and a whole lot of blood, sweat, and tears from many people to keep the train going forward.
fast forward to today, it's in previews on broadway, opening officially next month. it's unreal. tommy is the director, lin, of course, is still the composer and now the star, and so many more of my friends are involved intimately in the show- in the cast, or doing arrangements, etc... i am no longer officially involved (not for about 3 years now), but my heart and tear ducts are as twisted up in that beautiful play as anything else in my life.
'yahoo! broadway' has two really fun short documentaries about the show now. you can see a lot of tommy and lin, and hear some music from the show. it's so exciting, i can't get over it.
www.broadway.yahoo.com, follow links for 'in the heights.'
Friday, February 22, 2008
sea of screens
our director left today, so it will be interesting to see if the play changes now that everyone knows he's not watching.
next week i'm looking forward to a ten AM student matinee! yay, audience of kids! we had a high school group filling half the house earlier this week and our stage manager said the view from the booth was breathtaking: a sea of cell phone screens as they text-messaged away during the show! i love it.
there are some fun pics of the production up at amrep.org/caesar.
Friday, February 15, 2008
review
if this link doesn't work, search the terms "boston globe" "julius caesar" and "wrath" in google.
http://www.boston.com/ae/theater_arts/articles/2008/02/15/the_wrath_pack?p1=email_to_a_friend
Thursday, February 14, 2008
opened!
there's been some fun press about the show so far, and there are some pics up on the website, amrep.org/caesar. if you search 'boston globe' and 'julius caesar' you can read a fairly tame teaser article about the show. i'm looking forward to reviews, because if they are anything like the audience response, they will be widely mixed.
Sunday, February 03, 2008
fake public service announcement
i'll grant that my last production while studying at a.r.t., killing game, was a bit of a mess, thanks to some seriously out of control class drama that went down. (hey, it IS called drama school.)
the best thing about the production was the fake public service announcements that a few classmates and i made with the sound designer. they played in the house as people arrived to watch the play.
below find a link to the announcements: the one to listen to is the fully compiled psa, at the top of the list, labeled "psa 052907." it is a little repetitive, as it was meant to be heard in bursts, between smatches of conversation, etc... as people arrived in the theatre. in fact, it looped three times before our show.
i voice all the guys, and it is a little long, but play it as background while you check your email or something, and i think you will slowly find yourself more than a little disquieted! i think it's lots of fun.
http://www.blaseur.com/killgame/
Tuesday, January 29, 2008
action
the past two weeks have been awesome- a whirlwind of all-day rehearsals, and superquick 1.5 day trips to new york.
after almost three weeks of table work, we sat down to the table to start another long day, when jim, who plays brutus, said: "arthur, i'm not sitting at this table and reading any more. we can keep reading, but i'm going to stand up." arthur's face was inscrutable for a moment, and then, in his thick french accent, said: "okay. we have a run-thru."
now, a run-thru is what you typically do after blocking each scene in the show. you work on the pieces, then you put them all together. when you go see a play, you are watching a run-thru. what arthur proposed was to skip everything that typically goes in the middle of the process. three weeks at the table reading, and now, hey, let's put on a show.
long story short, it was awesome, albeit messy, weird, and funny-looking. we had a blast, and out of the sheer shock of trying to act out a whole play on the fly for the first time, we came up with a lot of fun stuff that remains in the show now. we've spent the time since then working on scenes individually, and running the show in parts and wholes.
it's great fun to do. during the show i get some great little monologues, plus i get to perform a dance, to murder an emperor, smear my hands in his blood, kill myself, and after dying, help another guy kill himself too. i get to wear a skinny 60's suit, smoke a cigarette, and scream at the top of my lungs. and all the who's of the who in cambridge will come to see it. and the best part of it all: i'm getting paid for this!
(pic is of me in rehearsal waiting for my next scene.)
Friday, January 11, 2008
strangers website
the russian version of the 'strangers' website is up- not super helpful to people who don't read cyrillic, but still fun to check out. once you click on the title page, if you click on the word 'foto' (in russian it looks like POTO), there are some fun pics from the set.
http://www.chuzhiemovie.ru/
spring is early
the director told us at the beginning that the table work is the most important, and that his style is to keep actors at the table until they're chomping at the bit to get on their feet- the idea being that there will be an energy and excitement and a literal speed to staging things since we'll be so excited to be rid of the table. i think his technique is working!
i did have a costume fitting, which was fun. i'm gonna have a pretty sweet skinny black suit, and possibly some thick black-rimmed glasses. i'd love to get the glasses, because that's a real gift for character development. i've started wearing a suit jacket in rehearsals, even at the table, just to get a feel for speaking shakespeare in one. it makes a difference, even if it is a very small one.
cambridge has been unseasonably warm the last few days, which i've thoroughly enjoyed, but has definitely made the atmosphere outside weird. it's odd that i can pull off flip-flops in january! in some corners and parking lots there are still huge melting chunks of dirty snow!